-poem originally posted without authors okay, taken from this great website. thanks for your understanding! here.
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"And if the question were asked: What is more real, the mundane or the sublime? most would hesitate before they gave an answer. On the one side, details: say, the aftermath of a breakfast, dirty chipped plates in the sink, their rims encrusted with egg yolk. Against this, the unnameable: small aching heart with boasts, what can you know? Outside the cage of everything we ever heard or saw, beyond, outside, above, there lies the real, hiding as long as we shall live, there stretch and trail the millions of names of God burning across the eons. When all through this our end will come before we even know the names of us.
For many the egg yolk prevails." -L.M.
"Love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is done well." -V.V.G.
"The perfection of the Absolute where all Becoming stops and pure Being, immutable, timeless, unchanging, hangs forever like a ripe peach upon the bough." -E.A.
"...and the whole incident was incredibly frazzling and angst-rod and filled almost a whole mead notebook and is here recounted in only its barest psycho-skeletal outline." -D.F.W.
"At the top of the mountain, we are all snow leopards." -H.S.T.
"Only when we are no longer afraid do we begin to live." -D.T.
For many the egg yolk prevails." -L.M.
"Love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is done well." -V.V.G.
"The perfection of the Absolute where all Becoming stops and pure Being, immutable, timeless, unchanging, hangs forever like a ripe peach upon the bough." -E.A.
"...and the whole incident was incredibly frazzling and angst-rod and filled almost a whole mead notebook and is here recounted in only its barest psycho-skeletal outline." -D.F.W.
"At the top of the mountain, we are all snow leopards." -H.S.T.
"Only when we are no longer afraid do we begin to live." -D.T.
"Cometh a voice: My children, hear; From the crowded street and the close-packed mart I call you back with my message clear, back to my lap and my loving heart. Long have ye left me, journeying on by range and river and grassy plain, to the teeming towns where the rest have gone - come back, come back to my arms again. So shall ye lose the foolish needs that gnaw your souls; and my touch shall serve to heal the fretted nerve. Treading the turf that ye once loved well, instead of the stones of the city's street, ye shall hear nor din nor drunken yell, but the wind that croons in the ripening wheat. I that am old have seen long since ruin of palaces made with hands for the soldier-king and the priest and prince whose cities crumble in desert sands. But still the furrow in many a clime yields softly under the ploughman's feet; still there is seeding and harvest time, and the wind still croons in the ripening wheat. The works of man are but little worth; for a time they stand, for a space endure; but turn once more to your mother - Earth, my gifts are gracious, my works are sure. Instead of the strife and pain I give you peace, with its blessing sweet. Come back, come back to my arms again, for the wind still croons in the ripening wheat."
-John Sandes, The Earth-Mother (excerpt, 1918)
Hi, I certainly don't mind you using my poem at all - I'm really glad you enjoyed it so much to want to re-present it here - although to be honest, it would have been far more preferable to me if I had been asked first. I am easily reachable via the contact page on my site, spicycauldron.com. And I don't bite. Well. Usually not!
ReplyDeleteI'd very much appreciate you making clear my authorship alongside the link just something like 'this poem can be found on the poet's website'. I'd also appreciate, if you're going to feature the poem, if you would please include the poem's title as my poems are never without them. You could, if you ask in future, include the text 'poem reproduced with permission of the author'.
Thank you in advance for understanding that if my poems are published elsewhere without some stipulations, pretty soon I would be finding them listed all over the net (I appreciate not here at all) with different authorships credited, or anonymously - and therefore wrong, and unfair as it is my creative work shared in good faith.
Please be assured I don't for one minute think you acted with bad intent. People often simply don't think or aren't aware of copyright, or how the creatives responsible for content might respond to their work popping up elsewhere without their prior knowledge.
Blessed be!
I just wanted to say thank you. :-)
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