21 February 2010
a girl, mad as birds. a boy, pixie led.
out through the briar and over the road, coffee and milk in an old cranberry wine bottle, wind whipping into our bodies feeding lonesome hungry cells the strength of a beautiful Now. everything is reduced to its simplest self. sometimes he leads and sometimes hes behind me, but the knowing that just over the hill his familiar form will come to view, waiting. silence and laughing, everything offering itself to us up and over into this blessed wood a little stream from which i plucked a heartshaped rock and drew the cross on my brow asking to come and come again for countless seasons. this quiet magnificent place that binds us together with the breath of clouds and wildrose canes bending into bowers biding til bloom in soon springtide.
rosehips and crabapples red against the black and white of late winter. stopping often to see, he sees me.
and i pray for the strength to stand still and be seen and not to run. and i pray this isnt some gorgeous elaborate hoax on the part of the gods to speed my expiration. and i pray with my secret heart at the offering left where we turned to turn back and i pray with my hand in his on the hill where silent wishes were made and i pray turning away again heartsore down the highway until im granted the gift of returning. because never in my long life have i loved like this, been loved like this before. this simple acknowledgment of True Being, of my Being as something beloved, gentle blessed, and Worth the While.
after a lifetime of waiting, i pray for a lifetime of together, us.
Blessed Be.
sunday morning.
quiet darkness speaking through us jagged rocks residue of mustard gas through morning Dresden up and across the wasteland we turn toward and away and toward again the sound of water running and a guitar. he makes saffron rice with pistachio, gentle curry with portobello and yogurt from Toms, sweet milky earl grey and grapefruit and nan. something playing quietly behind it all, we watch the Raven hoard peanuts, Fat Squirrel digging in the snow. the kitten skitters. it is late february and we wonder at the weaving of Love and Time that affords us this morning that will slip into the afternoon the moment i leave him going back to what has been and will never be and toward the time of no long leavetaking, counting the days.
DFWs birthday and i cry into a rag with him sitting witness to the storms. non judgement non invasive just Steady Quiet Presence, all ive ever wanted. This is the sanctuary my whole life has been a search for. this is what i did not die to live. something as fragile as Life and fierce as Time. we eat mint ice cream out of tiny glass cups. how completely am i fed. how tended my wound we both know will never heal and its okay.
happy birthday to the woman who told us
"The few moments of communion with the world are worth the pain, for it is a world for others, an inheritance for others, a gift to others, in the end. When you make a world tolerable for yourself, you make a world tolerable for others."
and we celebrate the life of D.F.W.
"a futurist novel about addiction, tennis, and separatist groups"
rereading the posts i came this upon and fell in love again.
A Meeting
She steps into the dark swamp
where the long wait ends.
The secret slippery package
drops to the weeds.
She leans her long neck and tongues it
between breaths slack with exhaustion
and after a while it rises and becomes a creature
like her, but much smaller.
So now there are two. And they walk together
like a dream under the trees.
In early June, at the edge of a field
thick with pink and yellow flowers
I meet them.
I can only stare.
She is the most beautiful woman
I have ever seen.
Her child leaps among the flowers,
the blue of the sky falls over me
like silk, the flowers burn, and I want
to live my life all over again, to begin again,
to be utterly
wild.
where the long wait ends.
The secret slippery package
drops to the weeds.
She leans her long neck and tongues it
between breaths slack with exhaustion
and after a while it rises and becomes a creature
like her, but much smaller.
So now there are two. And they walk together
like a dream under the trees.
In early June, at the edge of a field
thick with pink and yellow flowers
I meet them.
I can only stare.
She is the most beautiful woman
I have ever seen.
Her child leaps among the flowers,
the blue of the sky falls over me
like silk, the flowers burn, and I want
to live my life all over again, to begin again,
to be utterly
wild.
-Mary Oliver
and another for Beloved
Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.
Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While abstract insight wakes
Among the glaciers and the rocks
The hermit's sensual ecstasy.
Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell,
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreaded cards foretell,
Shall be paid, but from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.
Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of sweetness show
Eye and knocking heart may bless,
Find your mortal world enough;
Noons of dryness see you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.
"Lullaby" by W.H. Auden, from As I Walked Out One Evening.
(painting available for admiration at Clinton Pottery)
20 February 2010
I'm back again scrutinizing the Milky Way
of your ultrasound, scanning the dark
matter, the nothingness, that now the heads say
is chockablock with quarks & squarks,
gravitons & gravitini, photons & photinos. Our sprout,
who art there inside the spacecraft
of your ma, the time capsule of this printout,
hurling & whirling towards us, it's all daft
on this earth. Our alien who art in the heavens,
our Martian, our little green man, we're anxious
to make contact, to ask questions
about the heavendom you hail from, to discuss
the whole shebang of the beginning & end,
the pre–big bang untime before you forget the why
and lie of thy first place. And, our friend,
to say Welcome, that we mean no harm, we'd die
for you even, that we pray you're not here
to subdue us, that we'd put away
our ray guns, missiles, attitude and share
our world with you, little big head, if only you stay.
of your ultrasound, scanning the dark
matter, the nothingness, that now the heads say
is chockablock with quarks & squarks,
gravitons & gravitini, photons & photinos. Our sprout,
who art there inside the spacecraft
of your ma, the time capsule of this printout,
hurling & whirling towards us, it's all daft
on this earth. Our alien who art in the heavens,
our Martian, our little green man, we're anxious
to make contact, to ask questions
about the heavendom you hail from, to discuss
the whole shebang of the beginning & end,
the pre–big bang untime before you forget the why
and lie of thy first place. And, our friend,
to say Welcome, that we mean no harm, we'd die
for you even, that we pray you're not here
to subdue us, that we'd put away
our ray guns, missiles, attitude and share
our world with you, little big head, if only you stay.
Out beyond ideas of wrongdoing and rightdoing,
there is a field. I'll meet you there.
When the soul lies down in that grass,
the world is too full to talk about.
Ideas, language, even the phrase "each other" doesn't make any sense.
there is a field. I'll meet you there.
When the soul lies down in that grass,
the world is too full to talk about.
Ideas, language, even the phrase "each other" doesn't make any sense.
(Clinton Pottery, Utica Street, Clinton, New York)
seventeen hundreds. flowers and water for children. i couldnt read my own writing on the sheet laid down to show. a red register and i think i stepped on the green paint. forgive me. housebones made from the woods about it, ankle deep in the snow he allows me to wander up close and down theres just so much to see. come this summer and throw a pot, a cup, a bowl, something defined by the space it makes for something else. come this summer and find yourself gently engaged in the matter of being Alive.
couldnt read my own writing, erudite doodle to fill the page, a blue field with oak trees did you see the star? the sign of chalice well? i critiqued his mithers handiwork and couldnt read my own pen on the page. what i meant to say was how monsters and angels are one and the same, we are monsters and angels we are atomic and cruel, the impossibly sharp teeth obsolete in the skin of a red berry arranged on a plate. the chocolate is gone i cannot eat it anymore the white bed duvet thrown back to morning standing before the window before the chair regarding the day the water running through.
ankle deep in snow feeling like id been gone a long time. effortless, or maybe its my total lack of social graces the little room upstairs window open to february evergreen thaw looking out on the wrought iron table and chairs looking out past times grit in the eye into something under the skin hes been throwing clay long as ive been alive. are you you? i stood there awhile in the toxic crimson particulate before i knocked on the inside of the door. thank you.
came home and had ty-phoo in the cup with soymilk and local honey, ate from the bowl with my silverhandled ebony chopsticks. thought of the Beloved, underloved and overwhelmed, how i must be Too Much and Not Enough, like they all say i am.
is the baby here? did she turn toward her mothers hand? last night Solitary Circle to Call the Baby Down im still running on that Dark, that Light. sometimes i think Dresden is easier to navigate alone, youre not distracted by the Others distress, you get farther. but if the object is Reunion, why would Together be a second choice? without the Boon the words come plain, but they come at all and i am grateful.
pledges have been made but in my broken heart i doubt them.
forgive me.
but i repeat myself.
Thrift store cowboys
Five and dime junkies
Red dirt plow boys
Asphalt monkeys
Holly rollers
Signal callers
Truck stop angels
Backstreet brawlers
Van Zant groupies
Guitar slingers
Hallelujah
Gospel singers
Freight train mommas
Pistol shooters
My first girlfriend
works at Hooters
Beans and biscuits
in my cupboard
Listen to Ray Wylie Hubbard
All gone down the road tonight
Drunken angels
Blacktop racers
Holly rollers
Whiskey chasers
Lone Star drinkers
Midnight ramblers
Dirty road divas
Highway gamblers
Moonshine mommas
Panty droppers
Dalai Lamas
Old pill poppers
High school heroes
Back road preachers
Pool hall hustlers
Tantric teachers
Teenage cuties
Politicking
Hare Krishna
Feed me chicken
All gone down on the road tonight
Blue jean babies
Old heart breakers
Had a party
with some Quakers
Heartworn highways
Country singers
Radios full of
old right-wingers
Session players
Duct tape dealers
Outlaw country
Hubcap stealers
Aint no money
in my wallet
Broke again is
what they call it
My grandmamma's
name was Spiller
Michael Jackson
peaked at thriller
All gone down the road tonight
Jukebox gypsies
Mustang Sally's
Don't go walkin'
down dark alleys
Needle pushers
hornrim glasses
Rhinestone jumpsuit
Backstage passes
Blue plate specials
LuAnne platters
Japanese is
all that matters
Broken arrows
Gulf coast kickers
Who's your daddy
bumper stickers
da da da da
da da da da
da da da da da da
Oooh yeah
Oh uh uh uh
I'm outta words people
That's all I got
Americana woman
Hip shake with me baby
Five and dime junkies
Red dirt plow boys
Asphalt monkeys
Holly rollers
Signal callers
Truck stop angels
Backstreet brawlers
Van Zant groupies
Guitar slingers
Hallelujah
Gospel singers
Freight train mommas
Pistol shooters
My first girlfriend
works at Hooters
Beans and biscuits
in my cupboard
Listen to Ray Wylie Hubbard
All gone down the road tonight
Drunken angels
Blacktop racers
Holly rollers
Whiskey chasers
Lone Star drinkers
Midnight ramblers
Dirty road divas
Highway gamblers
Moonshine mommas
Panty droppers
Dalai Lamas
Old pill poppers
High school heroes
Back road preachers
Pool hall hustlers
Tantric teachers
Teenage cuties
Politicking
Hare Krishna
Feed me chicken
All gone down on the road tonight
Blue jean babies
Old heart breakers
Had a party
with some Quakers
Heartworn highways
Country singers
Radios full of
old right-wingers
Session players
Duct tape dealers
Outlaw country
Hubcap stealers
Aint no money
in my wallet
Broke again is
what they call it
My grandmamma's
name was Spiller
Michael Jackson
peaked at thriller
All gone down the road tonight
Jukebox gypsies
Mustang Sally's
Don't go walkin'
down dark alleys
Needle pushers
hornrim glasses
Rhinestone jumpsuit
Backstage passes
Blue plate specials
LuAnne platters
Japanese is
all that matters
Broken arrows
Gulf coast kickers
Who's your daddy
bumper stickers
da da da da
da da da da
da da da da da da
Oooh yeah
Oh uh uh uh
I'm outta words people
That's all I got
Americana woman
Hip shake with me baby
19 February 2010
CV
Let not my love be called idolatry,
Nor my beloved as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Let not my love be called idolatry,
Nor my beloved as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Kind is my love to-day, to-morrow kind,
Still constant in a wondrous excellence;
Therefore my verse to constancy confined,
Therefore my verse to constancy confined,
One thing expressing, leaves out difference.
Fair, kind, and true, is all my argument,
Fair, kind, and true, varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.
Fair, kind, and true, have often lived alone,
Which three till now, never kept seat in one.
Fair, kind, and true, is all my argument,
Fair, kind, and true, varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.
Fair, kind, and true, have often lived alone,
Which three till now, never kept seat in one.
such a difficult thing for me to do dry. trying to explain what the Pilgrim sees on a cold road waiting for signs and trying to lay it down in words it deserves but the words are behind glass i can only stand apart from and ache for hungry for bread and wool blankets behind midnight streetlight defenestration. i crave the alterations that turn my cubes of words to water that wash and reflect my heart to the world it was given to. the feel of the clay between my fingers as it spins on the wheel instead of this rolling and pinching with a chisel and half the face falls away after all. the words dont come theyre demanding burnt offering for an unclenched hand that frees the tongue. its just me here in the clearing a hollow reed with nothing to say. lay me down and look through me, far things will seem closer. the emptiness may guide you but for me its a cold road, waiting for signs to light the way.
in rags and feathers dancing down the new town my little silky thread behind me a root beneath the handshake and hello something left listening the imprint of me on a million surfaces for so long i have been without. and forced to face this world head on falling through the ice and not being allowed to drown ill accept the clarity but afford me my words! why is it one or the other? i know. both times i birthed my babies it was called a dry labor. the water breaks at the onset and theres no buffer, no gentle making of the way. so here i am again, working to be born, with nothing between me and pure experience. of course the midwife was right.
i couldnt tell him why i set her there on the screen in gray robes and sad eyes, the wand and the cup, and all i could bring myself to say was i really like that name. and in my secret heart one day i hope i can turn to him and say it again, and then he will understand.
when he talked it painted pictures on the drive-in of my mind. i saw myself in a hundred happy scenes, skirting the edge of whats happening like a firefly, dressed in cloaks and wings, summer nights between scenes him leading the Fey into twilight, the feel of grass beneath my feet the sound of water over rocks the smell of the world mountains and oceans and a thousand small fires to dance to. i was being led and loved it. or maybe its just the hallucination of a hungry heart, the weary pilgrim on the Threshold of Home the home the soul swims in before that black river, that darkest of rooms. cups and bowls, sieves for magick making.
ive left my laughter everywhere to bind me, each breath a stitch red thread weaving between the keys of a piano and under drums made from historys fire. you showed me the beautiful room a red chair and a photo of your father, the talking water that brings snowmelt ducks and leaves in their seasons sleeping under the heartshaped hole in a hat you wore beneath a million suns thinking mad beautiful thoughts of Bringing Together what had been cast away. The Box long dissembled for planks and nails, the empty space inside it buried under an arc of trees leading the pilgrim to the next gently lit and waiting stage.
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"And if the question were asked: What is more real, the mundane or the sublime? most would hesitate before they gave an answer. On the one side, details: say, the aftermath of a breakfast, dirty chipped plates in the sink, their rims encrusted with egg yolk. Against this, the unnameable: small aching heart with boasts, what can you know? Outside the cage of everything we ever heard or saw, beyond, outside, above, there lies the real, hiding as long as we shall live, there stretch and trail the millions of names of God burning across the eons. When all through this our end will come before we even know the names of us.
For many the egg yolk prevails." -L.M.
"Love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is done well." -V.V.G.
"The perfection of the Absolute where all Becoming stops and pure Being, immutable, timeless, unchanging, hangs forever like a ripe peach upon the bough." -E.A.
"...and the whole incident was incredibly frazzling and angst-rod and filled almost a whole mead notebook and is here recounted in only its barest psycho-skeletal outline." -D.F.W.
"At the top of the mountain, we are all snow leopards." -H.S.T.
"Only when we are no longer afraid do we begin to live." -D.T.
For many the egg yolk prevails." -L.M.
"Love many things, for therein lies the true strength, and whosoever loves much performs much, and can accomplish much, and what is done in love is done well." -V.V.G.
"The perfection of the Absolute where all Becoming stops and pure Being, immutable, timeless, unchanging, hangs forever like a ripe peach upon the bough." -E.A.
"...and the whole incident was incredibly frazzling and angst-rod and filled almost a whole mead notebook and is here recounted in only its barest psycho-skeletal outline." -D.F.W.
"At the top of the mountain, we are all snow leopards." -H.S.T.
"Only when we are no longer afraid do we begin to live." -D.T.
"Cometh a voice: My children, hear; From the crowded street and the close-packed mart I call you back with my message clear, back to my lap and my loving heart. Long have ye left me, journeying on by range and river and grassy plain, to the teeming towns where the rest have gone - come back, come back to my arms again. So shall ye lose the foolish needs that gnaw your souls; and my touch shall serve to heal the fretted nerve. Treading the turf that ye once loved well, instead of the stones of the city's street, ye shall hear nor din nor drunken yell, but the wind that croons in the ripening wheat. I that am old have seen long since ruin of palaces made with hands for the soldier-king and the priest and prince whose cities crumble in desert sands. But still the furrow in many a clime yields softly under the ploughman's feet; still there is seeding and harvest time, and the wind still croons in the ripening wheat. The works of man are but little worth; for a time they stand, for a space endure; but turn once more to your mother - Earth, my gifts are gracious, my works are sure. Instead of the strife and pain I give you peace, with its blessing sweet. Come back, come back to my arms again, for the wind still croons in the ripening wheat."
-John Sandes, The Earth-Mother (excerpt, 1918)

